The time has come to reveal the 8th edition of “The List,” my ranking of the top ten albums of the past year. The List has grown in terms of scope, design, and credibility since it’s inception, but it still serves essentially the same purpose: it is my way of sharing the music I found to be the most impressive and to have the most impact on me over this past year. That’s really all there is to it when you get down to the basics. Ranking music is always going to be somewhat subjective, so tastes will vary, and just because we disagree, it doesn’t mean that one of us is wrong about the quality of an album. I do try to use some objective means to rank these albums, but in the end a lot of it still comes down to the feelings I have in my gut. I would imagine that most music ranking lists work the same way, and if they don’t I think it might be worth questioning their legitimacy. After all, is not the most important aspect of music the effect it has on its listener?
To give you an idea of what I look for in an album, I will list a few of my qualifications. First, I think that popular music genres such as those represented on this list should be judged not only upon the quality of the music, but also on the quality of the lyrics and the message put forth by the album. Because this is a music list and not a poetry list, the music element weighs more heavily in my decisions than the lyrics do, but it is never the only quality by which I appraise an album. Furthermore, I appreciate cohesiveness. The lyrics should match the music in terms of feeling, and the songs should preferably be related to each other to make the album feel like a connected work. This second idea is not necessary for a great album, but it does make it much easier for the album to be considered great in my mind. Another common tool used for judging the quality of albums is their uniqueness. While uniqueness can affect my rankings, it is not automatically considered a good thing, nor is it considered the most important thing. I think people often fall into the trap of giving more points to something just because they have never heard it before. While this is fine and good if it is something truly great, new ideas can be unimpressive just as easily and ideas that were good before can remain good.
Hopefully that gives you guys some insight into my thought process. Now, it’s time to present the albums of the year. I love commentary, so if you like what I put on the list, comment and tell me why. If you don’t like it, tell me that too! Just make sure your comments are thoughtful. Don’t just say something is stupid. No one wants to read that.
2013 was a solid and surprising year in music for sure. Most of the albums that made this list were not on my radar to begin the year. Hopefully, if you haven’t heard them already, this will be a great introduction for you. Without further adieu, here are this year’s choices:
Howdy folks, it’s about time for another S.O.O.L. post. (Yeah, I’m gonna start abbreviating that. I like it that way.) Today, we’re going to throw a few tracks from one of the artists on the b-side of my album on the set. The topic for today is: St. Vincent. I’ll see ya after the jump.
Okay, I might be cheating. I”m probably cheating. However, I’ve got good reason for it. I’ve got four sisters, and taking all that into consideration I didn’t feel right making four brand new posts about them. So, I plan on just making a longish post about the whole group. Let’s start from the youngest to the oldest. Because you aren’t getting any younger reading this, and I’m getting better looking as I type this:
XIV here, with another look into the spyglass that is firmly affixed atop the mount peering into the void of music that the people have been missing. Page three is hard to spot. It tends to stay static locked next to page two and refuses to yield to that thing people do with their fingers on the edge of the page to allow themselves to move on to the next one. But, I got it unstuck and here is the next page. Without any more ado, here is “Page Three”:
The funny thing about this song, is that when I watched the movie it came out for the first time, I never heard it on there consciously. Most of “Scott Pilrgim vs. The World” was spent being in awe of the awesome soundtrack for one of my favorite comic book turned movie movies. I could (and very well might do a Dossier Page for almost each song) But, I bought the soundtrack immediately and heard this. I was hooked and watched the movie 3 times trying to find it. It was really quick and and there was a short snippet of it but It was totally worth it. It gets a bit boring everywhere and the fact is that even the most scenic places pose the same threat of inactivity and dullness as a suburban torture center.
I doubt that is what this song is about though. Anyhoo, turn your brain off words and back to music:
P.S. I think Dossier Pages are gonna be my main pages for a while. I plan on doing artist/album reviews on Sundays or Tuesdays now. So, now that I’ve laid down a plan. Expect more pages and reviews.
I love Music. Yes, I made “music” capitalized for a reason. Second to dreaming, other than my necessities, I would do nothing but listen to Music all day. I practically do, except for during work and the like. It’s a borderline obsession. Although, I can think of worse things to be addicted to. My love of Music was accelerated by working in a CD store for two years and have access to some of the best Music this side fo the Mason-Dixon line. Back in the Mid-Late Mid 2000s I heard a song on an Old Navy Commercial that would eventually change the way I heard Music. That was this song:
I’m not always going to write long drawn out posts with 2 or three videos on them. Sometimes it will be short ones like this one with a song them so that you have a great time dealing with the next 4-17 minutes. As I like to call it, XIV’s Dossier.
Allow your head to bob freely. It’s supposed to do that.